Solid Colors collection
Deep Pompeiian red, closer to oxidized pigment than to bright lacquer, and steadier than red usually manages.
Colours shown on screen are approximations and vary with your display. Final selection is confirmed against a physical sample.
Roman wall painting sits behind this one, and the colour keeps that darkened, mineral quality — no orange in it, no cherry. There is enough gravity here for a home office: a desk return, the storage wall behind it, a run of file drawers. ZENIT is where we would start, since the matt surface reads as pigment rather than as paint. LUXE is a different proposition, glossy and high-contrast, and it wants grey nearby to calm it.
Two choices, not one. The design is what the surface looks like. The technology is how it is made and how it behaves — gloss, matt, supermatt, anti-fingerprint. Most designs run in several technologies, and choosing the right look with the wrong surface is the most common Alvic mistake we see. Pick the look, then pick the surface. Compare the surfaces
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