
Solid Colors collection
Red ochre pulled straight out of the ground — earthy, matt, and nearer to terracotta than to any modern red.
Colours shown on screen are approximations and vary with your display. Final selection is confirmed against a physical sample.
The name is old, a Hispanic Arabic word for red earth pigment, and the colour behaves like the pigment rather than like paint. Almagra runs brick-and-clay red with a great deal of brown in it, and ZENIT is the only way it makes sense: a super-matt surface absorbs light and returns the colour dry and powdery, the way an ochre wall does. Good on a wine room, on book-lined shelving, or on a single bank of lower doors under stone.
Two choices, not one. The design is what the surface looks like. The technology is how it is made and how it behaves — gloss, matt, supermatt, anti-fingerprint. Most designs run in several technologies, and choosing the right look with the wrong surface is the most common Alvic mistake we see. Pick the look, then pick the surface. Compare the surfaces

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