One structure, nine colourways. Each shown as a grain close-up, a full panel so you can see how it runs across a door run, and in a room. Scroll, or jump straight to a colour.
Natural 0H913 · Double Fumed 0H914 · Light Natural 0H915 · Soft White 0H922 · Patina Natural 0H923 · Patina Greige 0H924 · Natural Hay 0H925 · Natural Copper 0H926 · Green 0H927
Colours shown on screen are approximations and vary with your display. Final selection is confirmed against a physical sample.
Always order by code. 0H913 Natural and 0H915 Light Natural are one character apart and two very different rooms. Every quote and every purchase order we issue carries the code, and we would ask you to do the same.
The reference natural. A mid-warm oak with the straight grain reading clean across a door run, and the brush deep enough that your hand finds the grain before your eye does. This is the one to hold against a real rift sample — it is the closest match in the range.



The dark end. Double fumed reads close to a smoked or ebonised oak without the unpredictability of a real fuming process, where the tannin in the log decides the final colour. Strong on a full wall of tall units; heavy on a small kitchen.



The bestseller, and the reason most clients choose the range. A light, calm oak that sits against white walls, pale stone and brass without fighting any of them. If you are specifying Master Oak for the first time, start here.



A white-washed oak. The grain is still fully present in the brush and the texture, but the colour has been pulled almost out of it — a limed or cerused look, on a surface that will not go grey in a sunny room.



A softened, slightly greyed natural. Reads as oak that has aged in daylight for a few years rather than oak straight off the saw. The quietest of the naturals.



The greige. A cool oak that holds its neutrality against both warm brass and cool nickel, which is why it ends up on so many closets and laundry runs where the hardware is not settled yet.



A warm golden oak. More colour than the light natural and more life under warm lighting — the one that reads best in a room that only gets evening sun.



The richest of the range. A deep coppery brown with real movement in the grain. It carries a large island or a single feature wall better than it carries a whole kitchen.



The outlier, and worth knowing about. A muted green with the oak grain running through it — not a painted green, a tinted wood. Specified as a colour accent on a pantry, an island or a bank of closet doors rather than a full run.



Book a free 30-minute consultation and we will pull all nine against your flooring and your light.
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