Atempo collection
A sandy oak with the pore just visible — warm without going orange, which is the hard part in a mid-tone wood.
Colours shown on screen are approximations and vary with your display. Final selection is confirmed against a physical sample.
Sand rather than honey, and the distinction keeps it cool enough to sit beside blue-grey cabinetry and painted panelling without clashing. The linear oak figure stays calm; the Arte pore gives the face a slight tooth, so a wide slab front reads as material rather than film. It goes into bedroom storage here — hanging sections, shoe drawers, the tall fronts facing a dressing area — and into ZENIT wherever a room wants the wood tone and none of the shine.
Two choices, not one. The design is what the surface looks like. The technology is how it is made and how it behaves — gloss, matt, supermatt, anti-fingerprint. Most designs run in several technologies, and choosing the right look with the wrong surface is the most common Alvic mistake we see. Pick the look, then pick the surface. Compare the surfaces
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