Lino collection
A restrained gold in a woven linen structure, metallic enough to catch a lamp and quiet enough to live with.
Colours shown on screen are approximations and vary with your display. Final selection is confirmed against a physical sample.
The metallic here works as a tint through the weave rather than a coat over it, which keeps the gold from going brassy. Under warm light the surface lifts; under daylight it settles back to a soft champagne neutral. SYNCRON puts the texture into the weave itself, so the whole thing behaves like cloth stretched over a frame. Best on the inner faces of jewellery drawers, on a primary-suite console run, and behind glass in a lit vitrine.
Two choices, not one. The design is what the surface looks like. The technology is how it is made and how it behaves — gloss, matt, supermatt, anti-fingerprint. Most designs run in several technologies, and choosing the right look with the wrong surface is the most common Alvic mistake we see. Pick the look, then pick the surface. Compare the surfaces
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