Alhambra collection
Elm colour carried into carved Andalusian geometry — a patterned surface that earns its place on one wall, not four.
Colours shown on screen are approximations and vary with your display. Final selection is confirmed against a physical sample.
Elm, worked over with the relief patterning of Andalusian architecture. SYNCRON puts the emboss exactly where the pattern falls, so the geometry is something a hand finds before the eye explains it; ZENIT strips the sheen out and lets shadow carry the whole design. We use it as an accent — a single feature wall, an entry bank of doors, the back of a built-in library — where a repeat this active reads as intention rather than noise.
Two choices, not one. The design is what the surface looks like. The technology is how it is made and how it behaves — gloss, matt, supermatt, anti-fingerprint. Most designs run in several technologies, and choosing the right look with the wrong surface is the most common Alvic mistake we see. Pick the look, then pick the surface. Compare the surfaces
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